Thursday, July 23, 2009

Cool It! A Look at Global Warming


If you are like me and have wanted to find a book that presented a level-headed assessment of the environment in a concise manner, then pick up Bjorn Lomborg's new book "Cool It". About a year ago I read Lomborg's popular "The Skeptical Environmentalist" and it pursuaded me to look at things differently than how they are portrayed in the media and elsewhere.

Now more than ever, Lomborg's message of increased dialogue and smarter environmental policies are needed. Today we are swarmed with a barrage of stories prediciting calamity for humanity if nothing is done to reverse the damage to the environment. So exactly where does Lomborg differ from the mainstream?

He believes that the threats to the world are vastly exaggerated and that we need to understand that the massive climate changing policies (i.e. Kyoto, Cap & Trade programs) are wildly expensive and actually end up doing very little for the environment.

The major problem is that there is so much hysteria surrounding global warming that not enough people are stopping to think about the consequences of inacting massive spending projects to cut back carbon emissions. This has a lot to do with the fact that scientists and politicians don't care to weight the costs of such policies, but the general public also needs to be more aware of the realities concerning increasing temperatures, how they will affect us, and what we can really do about it.

Basically, Lomborg's message is that we can't do much to stop the increase in temperatures and it's foolish to spend trillions of dollars to do so. For example, just adhering to the Kyoto Protocol would cost tens of billions every year but by 2100 the temperature would only be 0.2 Farenheight cooler. Essentially, we would be paying an exorbiant amount of money in order to delay warming by a few years.

This is crucial to today's arguments surrounding global warming. Scientists and politicians do not want to debate these issues because right now the green revolution is too much of a gold mine. However, over time people will begin to realize the foolishness of such grand policies and by continuing to beat the drum of such policies without taking any criticism, as scientists and politicians do, the overkill will eventually turn people away from their message.

The example of malaria is fitting. It is predicted that over the next century malaria will become rampant in the developing world as the temperatures rise. This has been another rallying cry put forth by environmentalists. The problem is, most of the new opportunities for malaria will occur in areas where it is cold today, but will become slightly warmer in the future. In other words, in the developed world in places like the northern United States.

Yet, malaria is not a disease that affects the U.S. because we have adaquate health policies and disease control. The poorer regions of the world where malaria is already a problem won't see much more problems. And even if they did, what could we do about it?

Well, by trying to change the climate and temperature we could possibly reduce the cases of malaria by a fraction, perhaps saving some of the people, but all for an extraordinary price tag. Or we could spend 1% of that money and completely wipe malaria out and control it through better health and disease control. Which one seems more sensible?

The same is evident with all of the problems associated with global warming. We are told that polar bears are losing their homes and dying because there is no longer enough ice to support their habitat. Yet studies show the polar bear population has increased sixfold over the past half century. In reality, global warming kills an average of 1.5 bears per year as opposed to an average of 50 that are killed through illegal hunting.

We could spend billions, even trillions, trying to turn the temperature knob of earth and save a couple bears. Or we could spend a fraction of that and save scores more by making illegal hunting more difficult. Again, which way is smarter?

Another example put forth by Lomborg is the issue of heat related deaths. With increasing temperatures we are bound to experience more deaths because of heat and this is certainly a valid point. However, what is not talked about is the amount of lives that will be saved because cold related deaths will become less frequent. And as it stands today, there are five times as many cold related deaths each year.

We could spend a ton of money once again to try and reduce temperatures, but wouldn't it be much smarter to focus on things such as better health policies and more air conditioners at a sliver of the cost?

One of the biggest scare tactics put forth is that of rising sea levels. Al Gore has said that ocean levels will rise twenty feet by 2100. He postulates that because of melting ice caps in the northern hemisphere. Never mind that it would take a very, very long time for that to happen. The truth is that the United Nations expects sea levels to rise by a foot or two over the next 100 years.

What's interesting is that sea levels have already risen that same amount over the past century. We're still doing alright aren't we? Now you may say that we need to improve our resistance to flooding (which is one of the biggest killers in the world) and that it very true. But when you look at the price of cutting carbon emissions as a solution to the increase in temperature causing more violent storms (still scientifically disputed by the way), doing simpler things like building better breaker walls and barriers is infinitely more effective at a much lower price.

*Side note: The devestation of Hurricane Katrina is another example put forth how the Co2 we are putting into the atmosphere is fueling more deadly hurricanes. However, Katrina was not one of the strongest hurricanes in history. What has happened is that we have moved into places where hurricanes and flooding are common.

In terms of property damage, Katrina was the worst we've seen in U.S. history, but that's because of our increase in population. There are 40 times as many peope living in the two surrounding counties of Miami, Florida than there were people living in the U.S. from Texas to North Carolina 100 years ago. In reality, the storms are not getting stronger, there's just more property and people for them to damage.

A good analogy Lomborg uses is that of automobile related injuries and deaths. We could, if we really wanted to, rid ourselves of these casualites by simply banning driving or reducing the speed limit to 5 mph. Yet, we do not do that because the overall impact of driving in our society is so important and crucial to our prosperity. And instead of taking away driving or slowing speed limits to ridiculous levels (i.e. attempting to lower the earth's temperature at the cost of billions in lost GDP) we focus on better safety in cars, traffic lights, and road materials.

Why do we not do the same with regard to global warming? We could prevent millions of malaria cases, reduce heat related deaths, increase the developing world's health services, better manage water supplies, prevent HIV, in short, help humanity today, all for a tenth of the price of these proposed climate change policies.

Even more, we could increase funding tenfold into research and development of new energy and still be nowhere near the price of the Kyoto Protocol and other carbon cutting programs. What this could do is leave us with the money to help people today, and allow further research to bring forth new technology that will help us actually do something about the temperature at a much lower cost than today.

Because when it comes down to it, we need to create a better world today so that we are better able to deal with any problems in the future. By enacting massive carbon cutting programs we will, in effect, be making ourselves more poor and in turn, we will be unable to help those even poorer than us today. We would get all of that for virtually zero change in temperature.

Or we could use our wealth today to research new ways to provide clean energy at lower prices, and help those who are poor become more well off so they too can be able to deal with the problems associated with climate change. After all, you don't see many heat related deaths, malaria cases, and other catastrophes caused by increasing temperatures in the United States because we are wealthy enough to deal with those problems.


But we're also wealthy enough to drum up hysteria about global warming even though it doesn't affect us to any major degree. Would it make sense to lose our wealth, deny the developing world more access to greatly needed wealth, all for policies that won't do much good?




Wednesday, July 22, 2009

Beatlemania Is Upon Us


With just 50 days left until the world-wide release of the Beatles Remastered song catalog and Beatles Rock Band video game, more and more information is being released detailing just what kind of product fans can buy on September 9, 2009 also known as 9/9/09 Beatles Day.

First let's start with the Beatles Rock Band game. There has been a lot of speculation, rumor, and honest discussion about the validity of a Beatles Rock Band game as many older Beatles fans believe it will cheapen the band's image. Others voiced concerns that the Beatles music wouldn't translate well to the Rock Band format and that the game may be too easy to satisfy the younger generation's appetite which has been feeding on rythym guitar games for years now.

In short, there were a lot of question marks regarding just what Beatles Rock Band would look like. A few months ago the game's specially designed Beatles instruments were released to the public and they included: two stand-alone guitars (Lennon's Rickenbacker 325 & Harrison's Gretsch Duo Jet), McCartney's Hofner bass, and a replica of Ringo Starr's Ludwig drum kit. Almost everyone who has had the chance to see and touch these instruments is raving about their look, especially the drum kit.

Weeks passed as we were left staring at the instruments still wondering what the possibilities could be with the game itself. Then came the E3 convention in Los Angeles where it was rumored that Harmonix (the designers of Beatles Rock Band) would be marketing a prototype of the game among the hundreds of other new games at the world's largest video game expo.

After keeping everyone in the dark for quite some time, Harmonix decided to pull out all the stops to deliver and showcase Beatles Rock Band for the very first time. They came prepared offering the public a grand look at the game on the expo's main stage, where Sir Paul McCartney, Ringo Starr, Olivia Harrison, and Yoko Ono showed up to the delight of fans everywhere.

They followed the surprise appearances with a demo of the game as six people stood on stage with the instruments and microphones singing and playing away to the Beatles 1965 hit "Day Tripper." After the main performance the expo was treated to a closer look at the game as Harmonix designers began explaining how it would be played. They even went so far as to built a small replica of Abbey Road, the EMI studio in London where the Beatles recorded so many of their songs.

As if that wasn't enough, the partnering companies involved in the game (Harmonix, Apple Corps, MTV, Sony/ATV, Electronic Arts, and EMI) released two videos to accompany the E3 demos. The first is a nearly four minute long extended trailer showing a video of the game while the second is an artistic theatrical trailer which serves as a psuedo-commercial for the game. Both can be viewed on the Beatles website or on YouTube and it is highly recommended you watch both, especially the theatrical trailer which is fantastic.

Before these events I have to admit as a Beatles enthusiast I was looking forward to the remastered albums more than this game. Since then, I have become elated at what Rock Band has brought to the table. Let's look at what they have to offer:

First, the game will be a celebration of the Beatles and will progress through their entire career spanning seven-plus years of music including four locations in the beginning, evolving to dreamscapes in their middle to late period, and ending with a recreation of their rooftop concert above their Apple offices in 1969. The game will feautre 45 songs with the beginning location being the Cavern Club (corresponding to 1963 songs), the Ed Sullivan Show ('64), Shea Stadium ('65), and the Budokan Theater in Japan ('66).

From there Harmonix has developed "dreamscapes" which will begin showing the band playing each song in the studio yet the screen will morph into whatever the particular song may be about. For example, the band will begin playing "Octopus's Garden" at their Abbey Road stuido but you will suddenly find yourself underwater as the Beatles play through the song surrounded by the ocean depths. This is clearly going to be a major part of the game as Harmonix has showcased other dreamscapes that are psychadelic and highly creative.

For all intents and purposes Beatles Rock Band will be very similar in it's gameplay to all previous Rock Band games. However, Harmonix decided to include vocal harmonies which will undoubtedly add a new dimension never before seen to any Rock Band game.

That is why the premium bundle package selling for $250 will include the drums, bass, a microphone with stand, as well as the game itself. Beatles Rock Band will be able to support up to two more microphones in order to imitate the classic three-part harmonies that were so much a part of the band's sound.

Only hours ago a new trailer was released showing 8 more songs accompanied with their respective locations and dreamscapes. The Beatles website has also posted a hanful of other songs that will be available to play. As of today, there are twenty-five songs that we know will be in the game: "I Saw Her Standing There", "I Want to Hold Your Hand", "I Feel Fine", "Day Tripper", "Taxman", I Am the Walrus", "Octopus's Garden", "Back in the USSR", "Here Comes the Sun", "Get Back", as well as, "Twist & Shout", "Can't Buy Me Love", Eight Day's a Week", "Paperback Writer", "Yellow Submarine", Sgt. Pepper's Lonely Heart's Club Band", "Within You Without You/Tomorrow Never Knows", "Revolution", "I Wanna Be Your Man", "Do You Want to Know A Secret", "And Your Bird Can Sing", "With a Little Help From My Friends", Birthday", "Dig a Pony", and "I've Got a Feeling".

To add to the fun, it has been confirmed that there will be downloadable content for the game as well. Upon its release on 9/9/09 you will be allowed to download "All You Need is Love" as a special one song package with all proceeds going to charity. Also, it has been confirmed that the entire Abbey Road album will be available for download sometime after the game's release. Harmonix and Apple Corps have denied that more songs or albums will be made available for download but they have left the door open to the possibility that there may be futher content in the future.

The release of the trailers have convinced me that this game is going to be very big. It will no doubt give thousands of people (particularly younger people) the opportunity to see just how unique, diverse, and rock worthy the Beatles were as a band. Not only that, but many others will be amazed at how much fun the game will be. I am expecting this game to be a huge seller well into the Christmas season as the good news will spread about how neat the game is and, consequently, just how cool the Beatles are!

Switching gears, there will also be CD Remasters available on 9/9/09 to compliment the release of Beatles Rock Band in what is shaping up to be one of the biggest release date media events in recent memory. There will be a Stereo box set and Mono box set for sale, as well as individual CD's of the stereo versions for those less incline to buy the Beatles catalog.

The Stereo box set will contain 14 CD's including all of the official British album releases by the Beatles: Please Please Me, With the Beatles, A Hard Day's Night, Beatles for Sale, Help!, Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, The Beatles (White Album), Abbey Road, and Let it Be. Also included will be the Yellow Submarine and Magical Mystery Tour soundtracks (both considered to be part of the Beatles official canon) as well as a Past Masters CD bringing together all of the band's singles which were not part of any album.

Also part of the Stereo box set will be a mini-documentary DVD with a running time of 45 minutes taking a look at each Beatles album. The mini-documentaries will be encoded into each CD album in the stereo box set and will also be available in the individual CD's sold in stores, but for a limited time only.

To complete the Stereo package each album will come in a three-sided digi-pack packaged with a 12" tower with magnet to store the CD's. Also included will be new linear notes and never before seen photographs. Currently Amazon has this box set selling for $200.00.

The Mono box set will be slightly different in that it will only contain 11 CD's and no documentary DVD. Because the albums Abbey Road, Let it Be, and Yellow Submarine were recorded in stereo only, they will not be included in this box set. However, the mono box set is offering original stereo versions of the albums Help! and Rubber Soul which have never been released before.

Still, with less music the Mono box set has its own perks. Each album will be designed as a mini-replica in CD form of the original vinyl LP's released by the Beatles. This will include all original art work, album sleeves, gatefolds, and pull outs that came with the vinyl's forty years ago.

As of right now the Mono box set is limited to 10,000 copies but there is a fierce debate as to whether this is correct or not. Will this figure pertain to the United States only? Is the figure just to show that the first 10,000 will be numbered copies and thus more valuable to collectors? There still has been no answer to this dilemma. What is known is that the Mono box set is on sale at Amazon for $239.00.

So far there have been roughly thirty snippets of the stereo remasters available to listen to online. From what I can tell the improvements in sound quality are discernable. Although some were dismayed that the song catalog would not be re-mixed or put into 5.1 Dolby surround sound, the new remasters seem to give an extra punch and clarity that has been lacking to the Beatles sound for decades.

The preview of the Revolver mini-documentary shows that these will be nothing to write home about. Made up neat artistic design and pictures, the videos' discussions appear to be taken directly from the Anthology series in 1994. It's not so much a big deal as each documentary will only be about three minutes long anyway.

Overall, 9/9/09 is shaping up to be a tremendous celebration of the Beatles, their music, their popularity, and their legacy. In just under two months we will see just how much selling power the group holds nearly half a century after their peak.

Tuesday, June 16, 2009

The Tragedy of Eric Lindros: Reflections on the Big E


No player has seemed to stir up as much controversy over the years or polarized fan and foe alike as much as Eric Lindros. From his refusal to play for the Ontario Hockey League’s Sault Ste. Marie Greyhounds and NHL’s Quebec Nordiques, to his numerous concussions and multi-million dollar donation to the London Health Sciences Centre upon his retirement ceremony, Lindros’ time in hockey was certainly full of high drama.
But one thing seems to get lost amidst all of the chaos surrounding Eric Lindros: He was one of the best players to ever lace up a pair of skates. There is much debate about whether Lindros belongs in the Hall of Fame, and in my opinion, he is a sure bet first ballot member although it will probably not turn out that way. There can be no denying that however short his career was or how much controversy surrounded him, Lindros made a huge impact upon the hockey world.
What made Eric Lindros such a dynamic player? The main reason is that he had no major weaknesses and is perhaps the best forward to be able to perform all hockey skills at an elite level. Certainly no player can claim the offensive prowess of Gretzky or Lemieux but even these two legends were never much involved in the physical aspects of hockey. The point is, Lindros was in the elite category in terms of offensive ability, but unlike so many other players who have scored and racked up points over the years, Lindros brought a physical presence to the ice that was second to none and utterly devastating.
In this sense, Lindros really changed the way hockey was played and especially the way we view what a hockey player is capable of on the ice. The NHL has seen its fair share of power forwards over the years, but no one has been that physical and that talented the way Lindros was. Right from his first game in Philadelphia as a nineteen year old up until his string of concussions and injury problems near the end of the century, Lindros was a human wrecking ball on skates who was virtually impossible to stop.
One of the main reasons Lindros was able to combine the scoring and checking abilities was that he was a tremendous skater for a man 6’4” 240 pounds. Today, as players become more athletic and better conditioned we are starting to see men with enormous size with excellent agility and skating skills.
Yet, in the early 1990’s this was practically unheard of and this made Lindros stand out all the much more. And really, of all Lindros’ talents, his skating is easily the most underestimated and underappreciated. For someone so large he could accelerate, pivot, turn, crossover, and stop on a dime as if he were a much smaller player. This gave Lindros an advantage over every player because he could power through you or he could just as easily tip toe around you leaving you in the dust either way. And his speed was amazing, especially in his first five seasons or so, where at times it seemed like he had another gear no one else possessed.
Among other weapons Lindros possessed wonderful stick skills, again extraordinary for someone so large. As Bobby Clarke has said Lindros was “the first of the huge, big men with small man’s skill.” While not the crazy stick handler like a Alex Kovalev, Lindros puck and stick skills could be breathtaking. Always more of a playmaker than a pure goal scorer, Lindros’ soft hands and vision created room for his wingers to score on a regular basis (see LeClair’s three straight 50 goal seasons from 95-98).
What’s more Lindros had a great backhand and was good as anyone has ever been playing with one hand on the stick. One of his special talents was his ability to pass off the backhand in the blink of an eye. From time to time he would curl in his own zone, pick up a quick head of steam, reach near full speed, and receive a pass instantly backhanding the puck across the ice to a teammate’s stick. Or he could drive the puck wide and fight off defenders with one arm while controlling the puck and passing or shooting with one hand on the stick.
As one would expect Lindros carried a heavy and accurate slapshot but his wrist and snap shots were just as lethal. Like all great players he was able to get shots away quickly at full speed and without breaking stride. Many people’s vision of Lindros is barreling down the ice and ripping a shot near the top of the circle past the helpless goaltender.
There wasn’t much a healthy Eric Lindros couldn’t do on the ice. Among the aforementioned skills, he was a very good player in his defensive zone and was among the best faceoff men throughout his entire career. Plus, he was tough as nails in fights never afraid to drop the gloves and dominating most of those while doing it.
There is no doubt that an enormous amount of on and off the ice drama followed Lindros around for fifteen years, some of it deserved and a lot of it not, but no one can take away his years in the 1990’s where he was arguably the most dominant player of his era. In a lot of ways Alexander Ovechkin today reminds me a lot of Lindros but aside from Ovechkin’s incredible goal scoring abilities Lindros was bigger, more physical, and a much better all-around player.
The case that he does not belong in the Hall of Fame stems more from all of the drama off the ice more than it does from what he brought to the ice. As the years pass, those issues will fade away and people will start to realize that Lindros is a good person and was a great teammate to play with. The deck was really stacked against him from day one being dubbed “The Next One” and being traded by Quebec for a ridiculous amount of players, draft picks, and money. And in a lot of ways he faced it admirably.
With so many selfish and egotistical professional athletes making fools of themselves and wrecking teams across North America, I’ve found it funny that Lindros should be regarded as this kind of player. Has anyone ever seen him or read something in which he was blatantly defiant and brash? It seemed that through all those melodramatic years in Philadelphia the stories were revolving around only what Bobby Clarke said to the press and that was the only side of the story we were given.
Yet, inside the circle of NHL players Lindros is seen as a real stand up guy. Sure he made some mistakes early in his career as a teenager but he had to put up with a lot of junk that was undeserved. Once he was traded to the Rangers everyone gushed about what a great teammate he was.
The drama is not something that I want to get into because that would be a whole other story but the fact remains that Lindros was tough as nails and we may never know the real circumstances surrounding the media swirl and the concussion problems of which modern science still is much in the dark about.
Lindros played a brutal physical style of hockey and gave his all and in the end players started to return the favor constantly running him without discretion. He lived by the sword and died by it, but he laid it all on the line. Sure he skated with his head down but so does every player. It’s just that after years of taking punishment (Scott Stevens) from Lindros players decided that he was fair game to have his head taken off. Players won’t hit someone like Gretzky or Crosby because it’s seen as against the code in hockey since they are not overly aggressive physically. Plus, most superstars have others fight their battles for them but Lindros was the guy doing everything for his team: scoring, hitting, and fighting.
So why does Lindros belong in the Hall of Fame? Let’s look at the stats because they often do not lie. For his entire career with the Philadelphia Flyers Eric Lindros averaged 1.355 points per game which placed him at the time in 4th place behind Gretzky, Lemeiux, and Orr. Those numbers are simply astounding when you factor in his level of physical domination over that period.
Secondly, Lindros really did revolutionize the way hockey was played. He played half of these years in the “dead puck” era of hockey which began in earnest with the 1996-97 NHL season. By that point, there was so much clutching and grabbing and a heavy emphasis on defensive systems that scoring league wide took a drastic plunge. A lot of this was the direct result of trying to slow down the uninhibited play of Lindros, but players and goalies simply got bigger, stronger, and faster across the board. In the 1995-96 season alone 10 players tallied over 100 points or more which was normal for the league going all the way back to the 1980’s. However, over the next 4 seasons combined from 1996-2000 only 4 players reached 100 points in a season (Lemieux, Jagr (twice), Selanne (twice), and Kariya).
There are a lot of comparisons between Eric Lindros and Cam Neely but there is no doubt in my mind that Lindros was a much better player. Neely played his entire career outside the “dead puck” era (retiring after the 1995-96 season) and he did not even average a point per game despite playing with one of the best playmakers in league history in Adam Oates. Not to take anything away from Neely, but Lindros was much more of a force in all aspects of the game.
Once Lindros was traded by the Flyers he had one more solid season in his first year in New York but after another string of concussions he was no longer the player he once was. Putting aside his concussions alone his medical injuries look like some horrible nightmare for any professional athlete.
Yet through it all Lindros persevered and in my mind is someone who needs to be regarded as one of the truly great players of all time. He currently stands in 15th place all-time in points-per-game and no one ahead of him comes anywhere close to his level of physical play. Without a Stanley Cup experts are sure to rank Lindros below where his talent could have taken him but it seemed that it was destiny for his career to be one of a great Greek tragedy.
Still, if I were starting a team from scratch and I needed to pick one forward to build a franchise around…it wouldn’t be Wayne Gretzky, Mario Lemieux, Mark Messier, or Sidney Crosby. It would be Eric Lindros.

Wednesday, May 13, 2009

Beatles Rock Band...4 More Months


Now that the two stand-alone guitars have been unveiled and pre-ordering has begun, the anticipation for The Beatles Rock Band video game is continuing to grow. It is no surprise that they’ve decided to go with John Lennon’s Rickenbacker 325 Capri as it may be the most recognizable Beatles guitar. There was some speculation that an Epiphone Casino model would be used for the game and this would have made sense as it is probably the most heard guitar on Beatles records as well as the only guitar used by Lennon, Harrison, and McCartney respectively. However, it looks as though the makers of the video game have gone with the early Beatles look concerning their gear.
Interestingly, they have decided to make a Gretsch Duo Jet as George Harrison’s guitar when all signs pointed to the Gretsch Country Gentleman being released. Although Harrison used the Duo Jet well into 1963 as Beatlemania erupted throughout Great Britain, it was the Country Gentleman that he has been more identified with and was his main guitar for much of 1964 and beyond. My theory is that the makers of the game didn’t want to spend the extra money replicating the very large bodied Country Gentleman with its dark brown paint and probably thought the matching black Duo Jet and Rickenbacker a better look.
There has been a fair amount of mystery surrounding the new game and exactly which songs will be used among other things. When it was first announced that a Rock Band Beatles video game was going to be released, some believed their music wouldn’t translate well onto a platform so obsessed and preoccupied with scorching guitar licks and minute long solos. I definitely think there’s some credibility to this because it will be difficult to play along to many Beatles songs with a two guitar, bass, and drum equipment lineup. The problem is that only two years into their career the band became less of a group through greater individual efforts and increased experimentation in the studio and this effectively denies dozens of songs from being Rock Band compatible.
For example, “Yesterday” a song with only McCartney on acoustic guitar and vocals (plus strings) has very little chance working on the Rock Band format. The same goes for other Beatles classics such as “Penny Lane”, “Hey Jude”, and “Tomorrow Never Knows”, all of which have minimal to zero guitar playing.
Nevertheless, this game has great potential (despite the certain loss of the above songs) and I have created what I believe would be the ultimate Beatles Rock Band game. The real game hitting stores on 09/09/09 is rumored to feature 45 songs so I have tried to stay near that amount. Also keep in mind that not all songs will fit chronologically into the different scenes because of the need to condense the Beatles catalog into different eras and make the game more fun.

Scene #1 The Cavern 1962
1. Some Other Guy
2. Long Tall Sally
3. Roll Over Beethoven

The game will begin by descending the steps from street level in Liverpool into the cramped confines of the Cavern, the club where the Beatles made their name in their hometown. The shortest scene in the game, it will present the band in their black leather clothing and slicked hair showing the edge they have acquired through their time playing in Hamburg, Germany. The three songs will be covers (don’t expect any covers in the real game though) and each will feature a different Beatle on lead vocals. It will be a high energy set revealing the groups rock ‘n’ roll roots and the crowd will consistently grow more feverish as the music ensues.

Scene #2 London Palladium Fall 1963
1. I Wanna Be Your Man
2. Matchbox
3. Ask Me Why
4. Twist and Shout
5. Please Please Me

This set begins with a look at the Palladium stage as the curtain opens and out come the new and improved Beatles. The group will be wearing their matching gray Edwardian suits with boots and the soon to be famous long haircuts. Ringo’s drum set now features the “drop T” Beatles and the band is polished and professional. The five song set contains two more covers and will culminate with the title track from their first LP. The band has finally arrived.

Scene #3 Ed Sullivan Show February 1964
1. She Loves You
2. From Me To You
3. All My Loving
4. I Saw Her Standing There
5. I Want to Hold Your Hand

The scene reenacts Ed Sullivan introducing the Beatles on his variety show and bringing Beatlemania to the United States. The band appears nervous but romps through a set of songs that encapsulates the group’s early energetic sound. For the performance they are wearing matching dark suits and making themselves household names.

Scene #4 Hollywood Bowl Summer 1964
1. Can’t Buy Me Love
2. I’m Happy Just to Dance with You
3. What You’re Doing
4. A Hard Day’s Night
5. Eight Days a Week

The fourth scene will re-live the concert the Beatles performed in California on their first U.S. tour. Surrounded by 15,000 screaming fans the band begins to show their maturity as songwriters and they have mastered their stage act.

Scene #5 Shea Stadium Summer 1965
1. I Feel Fine
2. She’s a Woman
3. You’re Going to Lose That Girl
4. Ticket to Ride
5. Help!

The concert that changed the music industry forever will be the fifth scene. Re-creating the record breaking show the band will perform five more hits in the Shea Stadium infield amidst 55,000 screaming fans.

Scene #6 British TV studio Spring 1966
1. Drive My Car
2. Nowhere Man
3. Day Tripper
4. Rain
5. Paperback Writer
6. Taxman
7. I’m Only Sleeping

The flower power age shows its stripes when the Beatles enter a studio to perform a 7-song set for television. Now the group no longer wears matching suits and their hair has become even longer. Half way through the set the band will step outside and finish the last songs in a garden recreating the Paperback Writer/Rain music videos that were made in 1966.

Scene #7 Psychedelic Abbey Road Summer 1967
1. Sgt. Pepper’s Lonely Heart’s Club Band
2. Lovely Rita
3. Strawberry Fields Forever
4. I am the Walrus
5. A Day in the Life
6. All You Need is Love

With the summer of love in full swing the band will create a psychedelic mural inside their Abbey Road recording studio for the seventh scene. By now the Beatles are a different band sporting facial hair and flamboyant colored clothing and accessories. The last two songs may be difficult to bring to Rock Band, but somehow someway these songs have to be included.

Scene #8 India atop Ganges River 1968
1. Revolution
2. Birthday
3. Helter Skelter
4. While My Guitar Gently Weeps
5. Back in the USSR
6. Hey Bulldog

The eighth scene will show the band on their trip to India as they rock atop the Ganges River in front of their meditation compound. Dressed in plain white clothing the Beatles perform six songs with a throng of Indians, tourists, and exotic animals dancing about.

Scene #9 Apple Rooftop 1969
1. Get Back
2. Don’t Let Me Down
3. Come Together
4. Something
5. Octopus’s Garden
6. Here Comes the Sun
7. Let It Be

The final scene fittingly occurs atop the band’s Apple office rooftop recreating their last performance together in 1969. Finally the journey is complete.

Tuesday, April 28, 2009

Looking Toward the Future


With the Blue-Gold game over there is only 18 weeks until the Fighting Irish open their season at home in Notre Dame Stadium against the University of Nevada. Despite the most losses in school history over the last two years there is renewed optimism and growing expectations for the 2009 Notre Dame football team.
There seems to be a consensus that if there is not considerable improvement on the field this year then Charlie Weis will be fired. For most Irish followers, eight wins seems to be the magic number while others claim nothing less than nine wins will be acceptable. I would almost guarantee that Notre Dame will win nine games. Here’s why:
First, if you have to go through hell to get to heaven then the Irish have hopefully tested the fires over the last two seasons. No longer can they claim inexperience as an excuse and the core of this team has been together for quite some time now. And after three very strong recruiting classes the depth chart is as deep and talented as we’ve seen since the early 90’s. It’s time to take the next step.
Second, the schedule for 2009 is very favorable and this will almost certainly be pointed out by every Notre Dame hater in the college football world. But there can be no denying that after years of difficult schedules the 2009 version is shaping up to be fairly easy.

Vs. Nevada
@Michigan
Vs. Michigan State
@Purdue
Vs. Washington
Bye
Vs. USC
Vs. Boston College
Vs. Washington State (at San Antonio)
Vs. Navy
@ Pittsburgh
Vs. Connecticut
@ Stanford

Third, there will be an improvement in the running game which under Weis has been downright abysmal at times. The restructuring of the coaching staff mixed with an improving offensive line and talented corps of running backs leads me to believe 2009 rushing attack will be the best of the Weis era.
With the elite talent becoming upperclassmen, a weak schedule, and an improved running attack there is no reason Notre Dame cannot be a top 15 team.
And what about Charlie Weis? I have to admit I was a Weis apologist until, like many fans, last year’s loss to Syracuse was too much to swallow. Still, time heals all wounds and a strong bowl victory, another very good recruiting class, and a productive spring season have calmed my fears.
Do I think Weis is an elite coach? Probably not, but I don’t think he has to be in order for Notre Dame to be successful. A strong coaching staff coupled with high quality talent and leadership on the field are the keys to success in South Bend; And for the most part that’s what exists at this point.
Sure I question Weis’ play-calling and his inability to light a fire under his players, but something tells me things are going to work out. And let’s be realistic here, Weis was left with very little talent to work with from day one. He took two teams (2005 & 2006) that were good teams and he made them much better. Under Ty Willingham those teams would have averaged 7 or 8 wins a year. By 2007 Willingham’s lack of recruiting left the talent level diminished (see Stanford ’02-’05 & Washington 2008 until 2010) to the point where most astute observers knew things weren’t looking good for the Irish.
But here we are looking at 2009 with a battle tested sophomore and junior class chalk full of talent with senior leadership sprinkled amongst emerging freshman talent ready to compete and make a difference.
These are the 5 goals Notre Dame should look to achieve:

*Win 10 games
*Win bowl game
*Beat USC
*BCS bid
*National Championship

If any two of the goals are met Charlie Weis will keep his job and the first three are very obtainable. Yes, Notre Dame can beat USC this year! Southern California has lost too many players to remain unbeatable and hopefully the Irish will have momentum and confidence by the time the teams meet in October.
Three keys to the season will be the running game, offensive line, and overall team defense. Much has been said about the lack of experience on the defensive line, but I think the players that are there are going to surprise a lot of people. This is mostly because the D-line will be surrounded by very good defensive teammates and that will only make them better. And we don't know just what impact a guy like Manti'i Teo could make either.
The offensive line has been much maligned but with new running backs/offensive line coach Frank Verducci we will see better run and pass blocking. I know we’ve been saying it for years but the Irish offensive line is just too big, too strong, and too talented to not take their game to the next level.
As far as the running game is concerned, a lot of pressure is being put on Armando Allen and I'm expecting big things from this guy. He is without a doubt in my mind the number one running back and he is poised for a breakout season. Moving James Aldridge to fullback was an obvious decision and I don’t think Robert Hughes is the right guy to improve the running game. If I were Weis I would only use Hughes in goal-line situations and very sparingly throughout the rest of games. Aldridge is a career 3.85 yard per carry runner and while Hughes’ 4.45 YPC is solid, his stats are inflated by his performances in the last two games of the ’07 season where he racked up 246 yards against Duke and Stanford. Otherwise he is a 3.3 YPC runner which is just about where his average was for 2008.
Armando Allen on the other hand, has averaged 4.2 yards per carry for his career and more importantly has shown steady improvement since his freshman campaign. If he can improve on hitting the holes and breaking longer runs (his longest run is only 21 yards!), and find the end zone more often (only 3 career TD’s) then Allen will become a very dangerous running back. Even with Hughes and soon-to-be Jonas Gray bound to get substantial carries Allen will still have a good shot at 1,000 yards.
Finally, with an emerging star at quarterback and one of the best set of receivers in Notre Dame history the offense should have no problem putting points on the board. And let’s not forget the trio of tight ends led by Kyle Rudolph that will be giving opponents fits in the fall as well. In all likelihood we could be ready to see a record breaking Irish offense that has the potential to put up some impressive numbers. I’m keeping my fingers crossed but despite the horrors of 2007 and 2008 Notre Dame has a lot to look forward to in 2009.

Go Irish!!

Tuesday, April 21, 2009



Okay here's something I've never understood regarding the Buffalo Sabres. We were told after the lockout a few years ago about how the team was set up perfectly for the new rules. It was all about speed and quickness and offensive firepower. But what has this team been sorely lacking for many years? A strong defense and physical play from every member of the team.

Watch any of the playoff game that are going on now and you'll notice how physical every skater is. Yes it's the playoffs and we expect that, but could the Sabres ever survive in such an environment? Except for Paul Guastad, Adam Mair, Drew Stafford and Patrick Kaleta, no one on this team hits, and these 4 players are not striking fear into anyone anytime soon. Plus, if I have to watch Kaleta skate full speed and run somebody only to back down from every challenge to fight I'm going to vomit. As far as the blueline is concerned not much physical play there either. Overall defensive play isn't very good, your welcome Ryan Miller.

So who's fault is this? I've marveled at how Lindy Ruff, who was such a tough scrappy player, could coach such a wimpy and weak team. Even more, I've marveled at how it seems like he doesn't care either. Do I think Ruff should be fired? No not really. Do I think the Sabres would have made the playoffs if Miller stays healthy? Sure. Do I think the team could use a new face behind the bench. Perhaps.

My biggest problem is GM Darcy Regier. And it seems evident to me that Ruff & Regier are in bed together. They've both supported each other and probably hinged each other's futures on each other, and they will most likely be fired together as well. What's my advice? Regier desperately needs to find two or three tough, mean, and nasty defenseman. And it wouldn't hurt to get one who can anchor the power play. It's no easy task but it needs to be done. Buffalo has an average offense, a below average defense, and an above average goalie. Nothing will help more than stronger defensman.

Ideally, someone like Dion Phaneuf would be the ultimate pick up but that isn't happening. But a player like Mike Komisarek is exactly what the Sabres need. There's been a lot of garbage thrown at big, slow, immobile defensman since the lockout but sometimes you need them and the Sabres do. If they could sign one that can move the puck and contribute offensively, all the better. So that's a better defense and more physical play from everyone, those are the team needs going into next season. Because if I have to watch another Caruba Collision replay where the opposing player doesn't even seem to notice he was body checked...I'm also going to vomit.